My work explores emotion 
contrast and human presence – whether center stage or lingering in the quiet periphery . I’m drawn to the raw and unfiltered, to fleeting expressions and subtle gestures that often go unnoticed.
Services
I capture moments that feel – raw, real, and a little magical. Event & people photography with a creative twist. Fast edits, custom vibes, and visuals you’ll actually want to post. Let’s make something that hits.
01
Event photography
Candid energy, bold lights, pure vibe. I document your event the way it felt – not just how it looked.
02
People photography
Portraits with personality. Honest, soft, loud, real – whatever you are, I bring it into the frame.
03
Press pics
Clean, crisp, attention-grabbing. For artists, creators & changemakers who need visuals that speak before they do.
04
Weddings
Your day, your story – captured as it really happens. I focus on real emotions, natural moments, and all the little details that make your wedding yours.
Equipment
Gear doesn’t make the shot – but it helps when the lights go low and the moments move fast.
My setup is built around a Canon EOS R5 Mark II, a Canon EOS R6 Mark II, and two Nikon ZR cinema cameras – giving me the flexibility to run multiple angles at once, have dedicated photo and video bodies in parallel, or simply never be caught without a working camera when something important happens.
On the Canon side, I shoot primarily with the RF 28–70mm f/2L, which stays on the camera for hours and handles most situations on its own. For working from across the room without losing intimacy, I reach for the RF 70–200mm f/2.8L. When I need to show the full scale of a space or a crowd, the RF 15–35mm f/2.8L and the RF 10–20mm f/4L cover everything from wide to extreme wide. For portraits and low-light moments, the RF 50mm f/1.2L is hard to beat. And when I’m switching between stills and video back to back, the RF 24mm f/1.4L VCM is the hybrid prime that bridges both worlds.
The Nikon bodies run with a NIKKOR Z 24–70mm f/2.8 S II as their reliable all-rounder, a Laowa 10mm f/2.8 Zero-D FF for those moments that call for something that feels genuinely different, and a Viltrox AF 16mm f/1.8 when space is tight and light is scarce.
For more spontaneous, documentary-style moments, I also carry both the Leica Q3 and the Leica Q3 43 – compact and discreet, they disappear into a room and capture atmosphere without interrupting it. The Q3 43’s slightly tighter perspective sits naturally between wide and normal, making the two a complementary pair.
On the audio and lighting side, I use a Sound Devices MixPre-3 for clean recordings whenever speeches, interviews, or live sound are part of the job, and a pair of Nanlite PavoTubes that I can set up quickly to shape or supplement whatever light I’m working with.
This setup isn’t about flexing specs. It’s about staying ready for whatever the night brings – low light, fast movement, high emotion – and making sure every frame feels just right.